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Playing the guitar alone can be frustrating for a lot of flamenco guitarists. For those who didn't have the chance to be born in Andalusia (or Madrid or Barcelona), try to find a singer with whom sharing this music, can be totally utopian.
That’s why we wrote 3 books of falsetas to play in duet, with a first volume devoted to Bulerías.
To play in duo allows to share good music moments and to dominate the compass, especially the most rigorous palos presented in these books. The scores could be used in 2 ways: playing in duet (with another guitarist, or with another engraved guitar) or playing alone the first part of guitar (and, sometimes, both parts).
Playing the guitar alone can be frustrating for a lot of flamenco guitarists. For those who didn't have the chance to be born in Andalusia (or Madrid or Barcelona), try to find a singer with whom sharing this music, can be totally utopian.
That’s why we wrote 3 books of falsetas to play in duet, with a first volume devoted to Bulerías.
To play in duo allows to share good music moments and to dominate the compass, especially the most rigorous palos presented in these books. The scores could be used in 2 ways: playing in duet (with another guitarist, or with another engraved guitar) or playing alone the first part of guitar (and, sometimes, both parts).