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The flamenco singer and dancer Ana Salazar reveals her calm in 'Claros del alma', her second disc.
The flamenco dancer Ana Salazar shows, in 'Claros del alma', all the calm and sensitivity that was brought by her recent maternity, through twelve shorts with her own musical compositions and themes of Luz Casal or Lola Flores.
With 'Claros del Alma', Ana Salazar starts as a composer with 'Andrés y el mar' and 'Conclusión', two themes of her last disc in which the artist faces 'all the fears she had' and remembers 'a little angel who left very soon'.
With every shorts, the flamenco dancer brings some brushstrokes of every things that were part of her life through artists she admires and from whom she recovered songs such as, for instance, 'Le bleu de tes yeux' - tribute to everything 'given' by Piaf- or the Luz Casal's theme 'Mi confianza'. According to Ana Salazar, this was her sound track during her recover of a leg injury.
In her musical style, even if it includes jazz and blues, has its roots in flamenco music. Something could not have missed: a memory of 'the first verse' she listened 'Pena, penita, pena' of Lola Flores.
The flamenco singer and dancer Ana Salazar reveals her calm in 'Claros del alma', her second disc.
The flamenco dancer Ana Salazar shows, in 'Claros del alma', all the calm and sensitivity that was brought by her recent maternity, through twelve shorts with her own musical compositions and themes of Luz Casal or Lola Flores.
With 'Claros del Alma', Ana Salazar starts as a composer with 'Andrés y el mar' and 'Conclusión', two themes of her last disc in which the artist faces 'all the fears she had' and remembers 'a little angel who left very soon'.
With every shorts, the flamenco dancer brings some brushstrokes of every things that were part of her life through artists she admires and from whom she recovered songs such as, for instance, 'Le bleu de tes yeux' - tribute to everything 'given' by Piaf- or the Luz Casal's theme 'Mi confianza'. According to Ana Salazar, this was her sound track during her recover of a leg injury.
In her musical style, even if it includes jazz and blues, has its roots in flamenco music. Something could not have missed: a memory of 'the first verse' she listened 'Pena, penita, pena' of Lola Flores.